Is an Exciting New Witchcraft Book About to Shock the World?

Author: Quill / Labels: , ,


This is the question I keep asking myself.  At the moment, I am deeply immersed in the revision of one of three manuscripts I have written for possible publication, and forming a book proposal for another.  Both are difficult tasks, challenging what I think I know about what a reader deserves, what a publisher expects, and—most importantly—the actual worth of what I’m writing.

To start things at the beginning, please note that I am a writer only in the sense that I cannot seem to help myself.  I don't use the term because I've been in print in the past, frequent a prestigious writing workshop, or have a regular column in a magazine (though that would be cool).  Instead, I can only term myself as such because any time I wish to express something formidable, I always end up doing so with pencil and paper.  When I want to interact with the world, I write.  When I want to teach, I write.  When I want to be creative just for fun, I write.  So it seems as though the two of us, myself and the printed page, will never managed to quit the relationship we've built.  But (and this is quite important) that does not mean that I am any good at it.

It’s a heavy matter, contemplating greatness or absolute lousiness.  The last thing I want to do—as a writer, as a witch, or as a person—is fool myself.  Trying to make it in an industry built on creativity can be like looking in a funhouse mirror—sometimes you seem like a giant, sometimes a distorted mite.  Just because my book is about magic and witchcraft doesn't make it salable.  Just because I understand a publisher's issues doesn't mean I can satisfy them.  And just because I know the magical community fairly well doesn't mean that my book can fill its needs.  But it is just as likely that with the right polishing I've got a million-dollar idea that publishers would fight over.  I may just have what the community needs most—a book of thrifty, beautiful, natural methods for increasing knowledge and power in the beyond-beginner spellcaster.  I can teach you to find your own ingredients, make tools lovelier than those in stores, find ways to grow as a witch no matter your limitations, and work several forms of traditional magic at little to no cost. Lots of illustrations, lots of let's-cast-this-right-now inspiration, and absolutely no moral dictating.  Any interested readers out there?  

Some people believe that if one is compelled to do something then it must certainly be because they are perfect for it, they have a genius that will not be denied.  In reality, I've been drawn to many artistic endeavors throughout my life with mixed success.  Looking at it realistically, I’m not a fantastic guitar player despite spending nearly all my free time practicing as a teenager.  I wasn't tremendous then and I’m not now.  I only cared about it a great deal and enjoyed it.  That is a lot, of course, but that guarantees only pleasurable music, not great music.  In the book proposal process I've had to think of some very hard truths about my manuscript and one of the questions I’m forced to ask is just that: am I making only pleasurable music?  That wouldn’t be a problem if I was writing as a hobby or self-publishing to pass out to friends and family.  But in the book trade at large I have to be so much more.  The world of publishing is painful, a near constant slash at one’s ego.  And it’s more money driven than in the past.  The houses are more cautious about taking risks, the editors are more strapped for time, and the author is called upon to do a large amount of what used to be insider work. If I’m going to weather that, I’ll need some capital-g Greatness.  Conjuring that will be like pulling a rabbit from the hat.  If all goes well, I won’t reach in and find it empty.
 

But right about now, surrounded by stacks of paper, scrawled lists penciled in on the intermixed post-it notes, and endlessly—hopefully—seeking impressive Google search keyword results for my topic, I dream that there are readers out there wishing just such a book were available.  We might be on opposite sides of
the country, or even the world, and there is no signal on the line between us because there is no line.  That’s what drives me on at these times.  I know that if I give up altogether on producing a book or decide to just go small and distribute it on a purely local scale, that reader will never get to see it.  So I go on doing the hard work of putting up the poles and running the cables so that when at last my book is in its beautiful binding and I tap out my Morse code message, there will be many stations receiving.

Images from:
freeehdwall.net
rwwgroupblog.com

Out of the Shadows

Author: Quill / Labels: ,

You may have noticed the major shift in the appearance of Quill's Occult Supply.  The shop has been open for two years now (amazing, isn't it?) and I felt that it was time for a change.  And, as per my usual, when I change I change big!  

Hocus Pocus, Pittsburg, Penna.
The old images of my shop were pretty much par for the course as far as magical businesses go: old world, dusty attic, dark corner shop on an abandoned street.  That sort of thing.  This is how we generally put forth the idea to other witches of Serious Magic.  "This is the big kid stuff and I don't want you to mistake me for a minute," we say with our hands on our hips.  But after all this time I began to wonder--why on earth is that so popular? Why do we communicate in terms of age and secrets?  And what else can I do besides that?

To appear to have swept cobwebs away from the scene just before the shutter was snapped is the very vision of most magical retailers, from online businesses to brick-and-mortar ones.  We desire to have our eyes dazzled, our senses overwhelmed, and our minds reeling with the thrill of discovery.
Mystical Horizons, East Lime, Conn.

While I do find this good fun (and have experienced it myself a good many times, feeling quite the explorer in a shop despite the fact that there really was nothing "new" to be found), I don't think it works very well for the customer.  I've been to many places that so confuddled me I ended up leaving without buying what I really needed.  I felt dizzied, bewildered, and a little irritated that everything seemed to go by so quickly.  Shutting the door behind me as I left was like touching down from a skydive.  It was a helluva rush, a sight to remember, but how much did I accomplish?

The Village Witch, Milton Regis, Kent, England
Perhaps my Capricorn mind desires things of a literal nature a bit more than the average. I know that most magic folk have the idea that the truly interesting part of the arcane is that it is hidden and secret.  To me, however, it is the knowledge part of it that is paramount.  Whether a spell from a thousand years ago or just last Tuesday, whether a freshly printed book or a scrawled tome from a forgotten hand--this is magic. Every bit of it is fascinating, every bit filled with possibility.  Naturally, the old works delight me (and they are certain to have better written rhymes) but the new still have the blush of innocence that wells up joy in this reader's heart.  They are both worth collecting, sharing, and experimenting with.  That is how we continue to move forward in our culture, in our literature, in our trades.

And that leads us back to my shop's new style.  Instead of treading the same worn path, I decided to go a different, almost opposite, way.  I wanted something clean, smart, and every bit as worldly as its dusty predecessor.  My clout never came from the charm of secrecy anyway, but from time-tested knowledge and the sincere desire to share it simply.  I needed to kick off the old, heavy wool cloak and come out in something smooth and bright for the breeze to blow through.  I dreampt of white-painted druggists with their marble counter-tops, apothecaries with rows of bottles and jars labeled in careful block lettering, and the fantastic herb shop in "Bell, Book, and Candle," all light and glass and a white-coated man behind the counter.  If in some beautiful future Quill's becomes a storefront, the first thing I will do is buy all my staff crisp, white coats.  Until then, I have done my best to translate this feeling into the finished product of this simple online shop.

The lady behind the counter at Quill's
It is surprising how very much such things mean in this business.  One would assume that the only thing needed for a magical shop to thrive was good wares at good prices but, as in any other industry, that is far from the truth of the matter.  Magical folk are a fickle crowd and their tastes are as varied as they can be. To inspire those who already practice witchcraft, a shop must appear knowledgeable far beyond the scope of the average individual.  To inspire those who don't practice (or dabblers who don't practice much), it must
appear enticing--or just harmless fun--but not too serious or threatening.  Depending upon how you work, you will draw in either one kind of customer or the other.  It may be greedy, but I desire both.  I welcome any and all who are interested in magic!  None shall be turned away, no matter your intentions. You may debate me, question me, and pick my brain for ideas.  You may request special items or suggest new goods.  And always you will receive straightforward answers, well-researched information, and careful work.  I see now that because those have always been my methods, this should have always been my presence.



7 Magical Things No One Tells You about Losing Weight

Author: Quill / Labels: , ,

Okay, this may not seem like a very witchy topic but I discovered it to be so only by delightful accident.  As a bit of backstory I’ll say that I have spent the past 10 months giving my body the kind of attention that it should have been receiving for 30-plus years.  From this I’ve lost 45 pounds the hard way—cutting down on portions, watching calories, and rigorous exercise every day.  I have finally arrived at my ideal BMI (the top end of the range, that is).  So, needless to say, I’ve gone through lots of changes in a fairly short amount of time.  But some of it really took me by surprise and I wanted to share these observations with you.

I know that weight problems affect a great many people--emotionally as well as physically--and the magical community is no exception.  In fact, because the magical world puts so much emphasis on the realms of the mental, spiritual, and emotional, the physical is often neglected.  I have never been to a circle, festival, or meeting composed predominately of fit persons.  Now, to be fair, I have been overweight since I was about 12 years old (and termed “obese” my whole adult life) and a practitioner of magic since I was 16, so I hope the reader will understand that I mean no disrespect by any of my statements.  When I say I saw witches who were out of condition, I’m including myself first.  I have spent a very long time in some hefty shoes, and I would only like to relate what it feels like to finally kick them off.

So, to cut to the quick, here is my list of 7 Magical Things No One Tells You about Losing Weight:

1.    It will enhance your magic
I guess this sounds like a gimmick, but it is true for several reasons.  In the beginning, the effort that I had to put into working out just to make it another day was so great that I felt an incredible sense of accomplishment from one repetition to another.  Everything was incredibly strenuous so my only choice was to only be aware of the moment.  I didn’t think about the next set, nor the 30 minutes yet on the clock before I could collapse on the floor; my mind was all about right now.  Otherwise, I wouldn’t have managed to hold on until the end.  But this made my focus incredibly strong, much more so than any mental exercise in the book!  As I went, not only did the workout become easier, but it became easier to think only in terms of this one movement, this one footfall, this one push of the bike pedal.

Also, exercise moves a tremendous amount of energy around.  Your body becomes less like a sluggish creature eking out an existence in the underbrush and more like a great predator marching through it.  Energy comes in (food, water, air), energy flows out (movement).  It becomes a constant tide moving in you, rushing forward to give, sliding back to receive.  So when you call up energy for a spell, it’s right there and waiting for you at the water’s edge.   Put together, focus and energy are the foundations of powerful magic!

2.      You’ll finally get the whole “sky clad” thing
Honestly, I used to have a complacent attitude towards nudity in witchcraft.  Part of me felt that it was just a cheap thrill for adherents to early Pagan-revival groups, part of me saw it as a psychological game or a hurdle for the ego to leap, and the bit left over scoffed at the idea that magical energy could traverse the world and penetrate any structure…except my clothes.  But all of me, every chubby inch, said no damn way am I stripping down for a public ritual.  I saluted the boldness of others who did but I was more than ready with many excellent reasons why I wouldn’t be joining them. 


But now I get it.  Yeah, I knew before this about the concept of equality in the circle and not letting physical trappings get in the way of your focus.  But for me it was the physical trapping of my very flesh that was getting in the way.  You see, it’s not about being nude or clothed; it’s the recognition of the raw power of You.  And you are most yourself when nothing else is there, when you’re stripped of all the stuff of society and class and status.  Then the very core of your self is exposed and you can feel the immenseness of being a living, breathing, thinking being filled with power and potential.  That’s what they’re getting at.  But you have to dump the hang-ups in order to see it.

3.       You’ll learn the art of stealth
As time wore on for me as a witch, I learned the Big And Bad magic that had thrilled me long before I discovered that magic was real.  I stopped influencing and started forcing.  I grew impatient at targets who wouldn’t behave and clients who didn’t do as instructed.  When a little rainfall would do, I would sent a tsunami.  People either did what I wanted or they were washed away by sheer force of will.  I became the Veruca Salt of the magical world: “Don’t care how, I want it now!”  And in my haste, I believed this to be great power.

Well, I suppose it was great power…for a while.  The problem is that when you consistently go at everything with the biggest weapon you own, you will wear yourself out until you can hardly bear to pick it up at all.  That is a fine way to get burnt out, and can lead to quitting altogether.

Instead, I have begun to take cues from my workouts: great change happens by making the right adjustments at the right time.  Instead of berating myself for bad habits and forcing a stern regimen upon myself, I gave it a little bump.  A little less here, a little more there; “I feel just fine without dessert tonight,” “I know I can do three more push-ups.”  Nudge a situation into place, go at a problem with grace and care.  Those small actions will create change that ripples outward and realigns everything around you.  Before long, you’ll see that it has all been set according to your desires and you retain the calm to really enjoy it. 

4.     Like magic, fitness isn’t something you do until it’s done…
…It’s a part of who you are, it’s a lifestyle.  I have actually become one of those people who cringe every time they hear someone say “Oh, no, I can’t eat that—I’m on a diet!” So, you mean that one day you’ll be off the diet?  You’ll somehow cross the dieting finish line and go back to eating whatever you please?  Then what?  I’m assuming you’re just planning on gaining it all right back, because that’s pretty much what happens. 

It’s the same with magic.  You’re not just accessing an occult power until you don’t need it anymore; you’re tapping into a current.  Sometimes you direct it and sometimes it sweeps you up and carries you someplace new.  But always you’re a part of it.  You made a conscious decision not to play at magic but to live it.  Prepare to do the same with your health.

5.      Less really is more
I remember back when I first began casting spells and I had only a few books and a couple of recycled jars of herbs I picked in the woods.  That was such an exciting time!  Everything was fresh and new, and the world was mine to explore.  Now I have all the trappings: shelves packed with books that I’ve read cover to cover, five racks of herbs from around the world, tools purchased and made, and spell components both common and rare.  And yet sometimes it seems a little…blah.  But I still have a tender spot in my heart for those days when I had so little.  Everything was a wonder then and I made the most of each experience.
In contrast to this, I once had a friend who could afford nearly anything she wanted.  She had fine robes, loads of books, and subscribed to a witches magazine (which I could not afford to do at the time).  I admit I had a twinge of jealousy.  But her robes were seldom worn because she didn’t know much ritual magic, she’d never more than leafed through the books in her library, and the magazines laid on the coffee table more than in her lap.  In short, she consumed a lot but benefited very little.

As you can guess, I liken this to food.  When I ate whatever I wanted, whenever I wanted, it was never that impressive.  But now that I have a precious amount of calories to spend throughout the day, I’m actively aware of where they’re going.  Before I go to bed (and especially if I find myself with late-night cravings), I pause to plan my breakfast in delicious detail.  “I bet I’ll be really hungry so I’ll make oatmeal and brown sugar.  And if I still want something else, French vanilla yogurt.  Mmmm!  I can almost taste it!”  And when I wake up the next morning, that breakfast is just exquisite.  It may not be impressive by anyone else’s standards, but it’s extra delicious because it was carefully planned, longed for, and enjoyed.  I don’t need to have the most of everything, nor the biggest or best.  Fully enjoying your own share is wonderful.

6.      Power is more important than appearances
Of course, when we begin learning magic it is all about results.  We want things—a good job, a new love, more money, more happiness, etc., etc., etc.  But as we go, the source of pleasure switches from the things we get to the fact that we have the power to get them.  You have what it takes to do anything you want with your life.  Where would you like to go today?  Maybe you don’t feel like changing anything; that’s fine, you’re the boss. 

The same goes for your body.  It starts out that you want to be skinny.  You want to look like a magazine: tight, lean, and smoking hot in whatever you choose to wear.  Being “in shape” is secondary—you just want to look good.  That’s not too much to ask, is it?

Well actually, it’s not nearly enough to ask.  And you find it out very quickly.  In a short amount of time, every little accomplishment on the road to getting fit becomes a source of immense pleasure.  You did another lap around the block today?  Rock on, you beautiful beast!  The exercise video felt a little easier this time?  You are the king of ass-kicking!  Pretty soon it’s not about looking good, it’s all about feeling good.  Then when you see your clothes getting loose, you’re almost surprised. 


 7.     Getting what you wished for is seldom what you expect
Yeah, we’ve all heard it before: “Be careful what you wish for, you just might get it.”  I always rolled my eyes, too.  When I cast a spell, I completely expect to get my desires fulfilled.  When they do, I am always pleased, even if it was not in the same way I had envisioned.  Whatever gets you where you’re going, right?  Who cares about the little differences?  You might be surprised.

Now this gets a little personal.  Straight out--the first thing I lost was my chest.  At first, it was no big deal but as I whittled away at my silhouette, it seemed that nature wished to take an inordinate amount away from my upper half.  I got a little depressed.  I was never all that well-endowed to begin with, and this new lifestyle was taking its toll on what ladylike curves I possessed.  

Then I noticed all the spots that used to be filled out were, happily, now slimming but not with the precision I’d envisioned.  Anyone who’s lost a significant amount of weight will tell you that loose skin is something you’ll definitely have to deal with.  But what you may not know is that it happens to a certain extent at any size.  And it may or may not bounce back.  You’ll just have to live with the cards that time and genetics deal you.

When you see the ads for weight loss drugs, the spokesperson is always good looking, smooth skinned, perky, and, like, 15 years younger than you.  Know right now that his/her story is probably wildly exaggerated and (from the reports I’ve read) often painful and dangerous.  But, from just an aesthetic position, it’s also impossible. You’re not going to turn into big bosomed vixen with a flawless figure.  That’s okay.  You’ll be you—an even healthier, happier version of you—and that’s better.


Now I look at my reshaped figure and see the marks of my hard work.  They stand testament, alongside my pale stretch marks from two pregnancies, to my strength and perseverance.  They’re signs of an aging form, fragile and subject to a changing world, yet bold enough to brave it.  I can’t bear to think a bit of it ugly.

Why I Sell Spell Kits and Not Spells

Author: Quill / Labels: , , ,

Making spell kits is some of my favorite work.  The chance to interact with people on a personal level, helping them with what matters most to them right now, empowering them to make change happen--it's something I will never tire of.

I do still let it open as part of my local practice that I am available to cast spells for others, but I rarely do it anymore.  I have found that, unless special precautions are taken, customers can become more anxious about their situation, not less, as they await the outcome of another person's work.  That's easy to understand considering that they have taken no part in the change and therefore fear that it might go awry, take too long, or worst of all, never have been done in the first place.  A customer of any professional witch is rarely present for the actual casting of their spell, so there's a lot of trust that must be established before money changes hands and witch and client part ways.  I don't mind when people watch me perform magic on their behalf (and it does happen on occasion) but not all spells can be done at the same time they are requested.  So a customer is always left to trust and hope and wait.  Some are happy with this arrangement, letting their problems safely rest in the hands of another, but some are not.

Those who are not comforted by this are no less trusting, of course, nor less a believer than those who let a spellcaster tend to his/her business.  They just need some involvement, emotional release, and clear resolution.  This kind of person, it turns out, makes up most of the people who request spells. 

For those of you who have never ordered a spell kit from me, I'll take a little side-step and tell you what this work entails---

I have never felt very strongly about the standard "candle, oil, and sheet of paper" type kits that are pre-made for retail shops.  They might work wonders for some, but for myself I just cannot get that magic thrill out of such lackluster spells.  It is because of this that I work with the customer to find out just what they would like to happen and then fill their kit with all the necessary items for specific traditional spells to address their issues.  Many times I include cleansing formulas to be used prior to the "main event" spell.  It's been my experience that most problems either begin with or are made worse by a blockage in the flow around that person.  So we free up the space in your home and self first, then we can direct the exact changes you need from there. Once you have the road cleared, you can drive anywhere you like!

I like to work with formulas in my own practice, so my customers get to use lots of them too!  The ones I most often add to kits are handmade powders, oils, tinctures, (sometimes) incenses, or dry blends with instructions for making potions, baths, and washes.  The spell itself often includes some combination of herbs, talismans, candles, poppets, cords, charms, bags, and/or occasionally stones.  I have a fairly large variety of spellbooks old and new to work from and I like to pore over them until I find what would suit best.  So your spell could contain any combination of these items or others not listed here.  My magic room contains lots of odds and ends I've gathered over the years just waiting to be put to use!
Whether I'm making spell kits or doing the casting myself on behalf of a petitioner, I first go to my magic room to check the shelves, dig through cupboards, and find just the right components.  What better way to enjoy the fruits of years of traveling, collecting, and rambling in the woods than to use them to help others?

Unfortunately, that does not always work out for the best.  Case in point (and an excellent example of why I don't often work this way anymore), my most recent foray into casting for another.  It was just before I opened Quill's Occult Supply.  A young man came to me, desperately in love with a fickle young lady who was turning up her nose at all of his sincere overtures.  I gave him practical advice for free--show her some strength of self and make her rethink those assumptions of him being the nice guy to finish last.  She was playing with him like a cat with a mouse, and to stand up to her would be the only way to get her attention.  I read the cards for him and they supported and expanded upon my statements.  With his insistence, I moved on to researching the perfect spell for his situation and cast it in the best possible timing.  I was quite pleased and ready to let the whole thing quietly fall into place.

Sadly, he was not of the same mind.  He wrote me the next day to say that he had done the complete opposite of everything I'd suggested!  He wrote and called her several times, showed up at her door unannounced, and steamed with jealousy as she paraded other men in front of him.  She wasn't responding to his adoration, and maybe even drifting further away.  He feared the spell had not worked.  I explained the best I could, reaffirmed my previous advice, and then began again.

This time I brought out the big guns.  I summoned a spirit by name to assist him and bring to him the woman he desired.  Yeah, I know, lots of folks will disagree with this method, but it's what I did.  I told the young man to be mindful of the spirit's influence and to act as he was directed.  With the spirit bound to him by a wooden sigil, I mailed the lot to his home with clear instructions.  I thought that now I might rest easy.

But soon again I received a message from him that since smothering this girl with desperate pleas didn't work before...he had decided to do it again.  *sigh*  He sent her flowers and gifts, and left message after message on her phone.  I rubbed my temples.  I bet the spirit was rubbing his own, as well.

What a disaster!  Here was a wonderful person, sweet and affectionate with so much love to give.  And yet, he couldn't make it work.  And neither could I.  Everything I did was constantly being undone by the very person requesting it.  I felt sorry for his situation and I regretted being an agent of more anxiety and desperation in his life.  But above all I just wanted to grab him by the shoulders and shake some sense into him!

But, really, all he needed was to have something to do.  In the absence of a way to help, his hands could only harm.  He had requested not to be involved in the working because he feared making a mistake, but if I'd sent him a kit, full of instructions and simple spells, he might have had the confidence and calm to let it really work for him.  Instead I just kept adding stronger and stronger magic to the pot, thinking that there must be a tipping point where spellwork itself would overcome the fearful actions of those who don't see that magic is change.  You have to be willing to change in order to receive it.  But without a hand in it, he just didn't get the message. 

So now, tired but wiser, I get the message too.  And it had better be damned important for me to cast spells for someone else without their assistance.  Working alone is no problem for me; working alone in a disaster of the customer's creation is another matter altogether.


Images from:

http://www.pinterest.com/minimaria/miniature-witch-and-other-magical-stuff/
http://licklebear.tumblr.com/




Evolution is Absorption

Author: Quill /

As a kid, I wanted to be a ballerina.  But everyone said, "You're already too old to begin dance classes!  You'll never be a ballerina now."  As I grew I thought I'd like to be a doctor.  And everywhere people said, "Going to medical school is very expensive.  You don't have the money to be a doctor."  When I was a teenager I wanted to be an artist and a writer.  But they said, "You'll starve with such unrealistic jobs!  Those are hobbies, not careers."

So I became a witch.  And I can dance, heal, and create as much as I like.  Because it's my job. 

And no one tells me different.


Sorry, but You Gotta Learn before You Teach

Author: Quill / Labels: , , ,

From work comes experience, from learning comes knowledge.  And from experience and knowledge come wisdom.  I have met many wisdom-seekers but very few who are interested in either work or learning.  And that is a terrible shame.

With the magical community's focus on self-awareness and personal experience over doctrine, teachers are hard pressed to find students who will listen instead of trying to lead the class themselves.  I know it's not an
easy avenue to take.  The dream of receiving great mystical enlightenment is soon overshadowed by the time and effort that go into understanding it.  But taking instruction in person is nearly guaranteed--no matter what kind of teacher you choose--to be noticeably easier, faster, and more linear than going it alone.  It's just different.

Being taught by another person is unlike reading a book, the standard method of learning for many modern practitioners.  The book demands very little and is often reassuring of your progress just by you returning to it day after day.  "You're reading me three days in a row?  Good job!  Look at you go!"  But a teacher wants you to do more than just show up.  You must demonstrate that you are grasping the information and also that you will know how to use it when the time comes.  And that means homework, questions, examples, challenges.  "You finished your focus training for the day?  Good.  Now tell me why focus is important and list three ways to use it for spellwork."

Magic is an ever-changing discipline yet old as time itself.  This presents some interesting hurdles for teachers to jump: teach the traditional, explain the typical, but leave room for the revolutionary.  Unfortunately, students already experiencing the typical will often disregard the traditional.  This comes back to the attitude (common now with eclectics but by no means held by all practitioners) that all magic should be revolutionary--each spell must be made by the individual for this one specific event and its formation should only be based upon "what feels right."--and it makes it hard for students to even grasp the typical without feeling compelled to ridicule its simplicity.  This explains many teachers' reluctance to approach new students and why I let students find me rather than searching for them.  And sometimes the trouble starts even before the agreement has been made.  Here are some examples from my own experiences of wisdom-seekers who sadly were not work-seekers.

A few years ago, a young woman approached me on an unrelated matter but when she found out I have classes, instantly let me in on her rules for being taught.  First, I was to give up any plans of an orderly design--she would learn what she wanted, when she wanted.  Each class would be short or long, as she desired.  And I would be there to, what, supervise?

Also note that price was never an option.  As I've heard before, it is only right that I spend years learning these things and further years organizing them into classes--not to mention the time, expense, and travel dedicated to teaching each person--only to give it away for free on a whim to whomever gave me a second glance.  Yep, sounds like a solid plan that I can sustain for the rest of my life!  I explained how no one expects a yoga instructor or a piano teacher to go without compensation, but she was hearing none of it.  In the end, I simply sighed and told her that as I had never offered to teach her--nor would I--and I had no interest whatsoever in her expectations.  And if she, as a newcomer, had such specific notions of proper teaching, she should set up her own classes and let others heckle her for a while.  Needless to say, it didn't end well.

Another, much more mild, incident happened with a man who was already in the midst of my classes.  Once he came to History of Magic he declared that because he didn't like history he shouldn't have to take it.  I assured him that the ancient and modern history of magical practices was very interesting and useful.  The class goes quickly and is full of discussion and visual aids.  But he had himself set against it and chose not to do any homework from that point on.  Evidently I was being punished for giving him an agreed-upon class by him ruining his own grades!  This promising student ended up leaving because he wasn't able to run the class.

Now these were by no means the way that teaching always goes and I was sad both times that this is how these situations ended up.  If a student goes into any kind of training (not just for magic) well-informed of what to expect, ready to give their best effort, and with a little trust, they will succeed and enjoy the process.  And I am certainly not saying that teachers are infallible or that they cannot learn from students, but they do just as much work as the students.  Writing classes is work, coming up with (and testing) projects is work, fielding phone calls and e-mails any time of day or night is work.  The lesson plan a teacher comes up with before they even take a single student takes a very long time to create and shouldn't be thrown around on a whim. So here's my final word on it--respect teachers and respect students.  There is hard work on both sides and neither one has it worse.  Luckily, the outcome is so rewarding that it's worth all of that and more.

And if you don't like me saying so, go set up your own classes!  Grr!

Images from:
http://community.platinumgames.com/
http://www.flickriver.com/groups/

On Becoming a Lion Tamer

Author: Quill / Labels: , ,

Recently I've been thinking about the old Monty Python sketch where a mousy little accountant comes into a vocational guidance counselor and requests a job as a lion tamer.  Of course it plays out with the usual Python surreal hilarity, but after all this time it inexplicably came to my mind in another way.  Why can't he become a lion tamer?


Think about it in the sense of any sweeping change one many desire to undertake for their lives.  He's ill-equipped to meet the challenge--most people are in the beginning.  He's also typecast--and we can be this as well ("just a teenager," "just a housewife", "too old to change") and so can our motives ("it's a phase", "is this about losing your job/husband/house/etc.?").  And he really doesn't know what he's getting himself into--but anything new comes with hidden information and surprises.  If you're a parent, take a moment to think back to your perception of parenthood before your baby was born.  Or think about your current job, the town you moved to, the relationship you're in now...they all had tricks up their sleeves that you couldn't have predicted nor planned for.

But should these things keep him from becoming a lion tamer?  Should they keep you from attaining your ultimate goal?  Only if you focus on the hurdles and forget the steps between.  To share a little about myself, my ultimate goal is to be a published author.  It first began about 12 years ago, writing down ideas I had and then slowly compiling them into a binder of finished material for my first manuscript--a spellbook of uncommon magic.  My original plan was to bind it and save it for our children as they grew, a sort of family lineage.  Then I thought I might also share it with students.  And finally I thought, what the hell, I'll try to get it published so everyone can have it.  Of course, if you've seen what houses are looking for these days, it sure isn't original spells!  But that moved me to write my second manuscript which I strongly believe has print potential.  This one I finished in 2010 and have been streamlining, illustrating, and proposing ever since.  It's not easy but it's what I really want.  I'm a stay-at-home mom with no college background, living in a rural area far from the publishing world or even the major part of the magical community, but I know I have what it takes.

Any readers who know me personally have heard me talk on and on about what I've written so far, all the many ideas I have for future books, why I think they're perfect for publication, how many rejection letters I've gotten, how many edits I did, how I'm still learning how to write the perfect proposal, and crossing my fingers every time I send it out.  But I'm not giving up.  Maybe I haven't found the perfect publisher yet or maybe my style could be brushed up some more, perhaps it just wasn't the right time when I started sending them or that my early proposals were boring (this one I know is true!).  Each time I send out a proposal, I learn a little more; I try something new, I research, I read, I take one more step forward.  And I truly believe that I will land on the perfect combination of presentation and substance that will thrill a publisher and a readership.  I have to believe that, otherwise I'll give up on my dream without having given it my all.  The steps are clear before me, I just have to walk one at a time.  Just because there are many steps on the way to completion doesn't mean that I should stop.  As David Nightingale said, "Never give up on a dream just because of the time it will take to accomplish it.  The time will pass anyway."

What are your big plans?  When you see yourself living out your impossible dream, what are you doing?  Today, just for today, act like there's no such thing as impossible.  Make a list of the steps you need to take to get from where you sit right now to standing out front in the big ring, taming lions!

And a P.S. to the poor accountant:  You have essentially seven steps.  Find a volunteer or part time job with a circus, read lots of books, get to know the animals and the trainers, offer to help out once in a while, talk to the current tamer and ask questions, aim for a job as a team member with big cats but settle for smaller animals and work up, ask for a good word with other outfits that might need a tamer or try for becoming an understudy with the current one.  It may take years to finish but you can start Monday morning.




Photo (Madame Scheel) from:  http://www.scenicreflections.com/
And if you have never seen the sketch: https://www.youtube.com/watch?v=XMOmB1q8W4Y

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